![Image in QuizMyDay Kenny Loggins Knowledge Quiz trivia quiz featuring This is a <a href="https://en.wikipedia.org/wiki/en:Publicity_still" class="extiw" title="w:en:Publicity still">publicity still</a> taken and publicly distributed to promote the subject or a work relating to the subject.
<ul><li>As stated by film production expert Eve Light Honthaner in <i>The Complete Film Production Handbook</i> (Focal Press, 2001, p. 211.):<br>"Publicity photos (star headshots) have traditionally not been copyrighted. Since they are disseminated to the public, they are generally considered public domain, and therefore clearance by the studio that produced them is not necessary."</li>
<li>Nancy Wolff, in <i>The Professional Photographer's Legal Handbook</i> (Allworth Communications, 2007, p. 55.), notes:<br>"There is a vast body of photographs, including but not limited to publicity stills, that have no notice as to who may have created them."</li>
<li>Film industry author Gerald Mast, in <i>Film Study and the Copyright Law</i> (1989, p. 87), writes:<br>"According to the old copyright act, such production stills were not automatically copyrighted as part of the film and required separate copyrights as photographic stills. The new copyright act similarly excludes the production still from automatic copyright but gives the film's copyright owner a five-year period in which to copyright the stills. Most studios have never bothered to copyright these stills because they were happy to see them pass into the public domain, to be used by as many people in as many publications as possible."</li>
<li>Kristin Thompson, committee chairperson of the Society for <a rel="nofollow" class="external text" href="//cmstudies.org">Cinema and Media Studies</a> writes in the conclusion of a 1993 conference of cinema scholars and editors<a rel="nofollow" class="external autonumber" href="//web.archive.org/web/20131004004521/http://chnm.gmu.edu/digitalhistory/links/cached/chapter7/link7.59b.fairusageandfilmstills.html">[1]</a>, that:<br>"[The conference] expressed the opinion that it is not necessary for authors to request permission to reproduce frame enlargements... [and] some trade presses that publish educational and scholarly film books also take the position that permission is not necessary for reproducing frame enlargements and publicity photographs."</li></ul>](https://d3le1x71fx28bd.cloudfront.net/1e30709d-ce39-4047-8567-eaa123c05c9d/821a3a29-a332-4b08-8a19-f1499f36e3e0.jpg "Image in QuizMyDay Kenny Loggins Knowledge Quiz trivia quiz featuring This is a <a href=\"https://en.wikipedia.org/wiki/en:Publicity_still\" class=\"extiw\" title=\"w:en:Publicity still\">publicity still</a> taken and publicly distributed to promote the subject or a work relating to the subject.
<ul><li>As stated by film production expert Eve Light Honthaner in <i>The Complete Film Production Handbook</i> (Focal Press, 2001, p. 211.):<br>\"Publicity photos (star headshots) have traditionally not been copyrighted. Since they are disseminated to the public, they are generally considered public domain, and therefore clearance by the studio that produced them is not necessary.\"</li>
<li>Nancy Wolff, in <i>The Professional Photographer's Legal Handbook</i> (Allworth Communications, 2007, p. 55.), notes:<br>\"There is a vast body of photographs, including but not limited to publicity stills, that have no notice as to who may have created them.\"</li>
<li>Film industry author Gerald Mast, in <i>Film Study and the Copyright Law</i> (1989, p. 87), writes:<br>\"According to the old copyright act, such production stills were not automatically copyrighted as part of the film and required separate copyrights as photographic stills. The new copyright act similarly excludes the production still from automatic copyright but gives the film's copyright owner a five-year period in which to copyright the stills. Most studios have never bothered to copyright these stills because they were happy to see them pass into the public domain, to be used by as many people in as many publications as possible.\"</li>
<li>Kristin Thompson, committee chairperson of the Society for <a rel=\"nofollow\" class=\"external text\" href=\"//cmstudies.org\">Cinema and Media Studies</a> writes in the conclusion of a 1993 conference of cinema scholars and editors<a rel=\"nofollow\" class=\"external autonumber\" href=\"//web.archive.org/web/20131004004521/http://chnm.gmu.edu/digitalhistory/links/cached/chapter7/link7.59b.fairusageandfilmstills.html\">[1]</a>, that:<br>\"[The conference] expressed the opinion that it is not necessary for authors to request permission to reproduce frame enlargements... [and] some trade presses that publish educational and scholarly film books also take the position that permission is not necessary for reproducing frame enlargements and publicity photographs.\"</li></ul>")
Kenny Loggins Quiz Hub
Kenny Loggins is an American singer-songwriter known for his smooth soft rock sound and unforgettable hits; Kenny Loggins songs like "Footloose" and "Danger Zone" made him a soundtrack icon and a household name. His versatile career spans solo albums, film scores, and collaborations with top artists, keeping Kenny Loggins relevant across decades.
Kenny Loggins Profile
| Born | Kenneth Clark Loggins was born in Everett, Washington on January 7, 1948. |
| Key Albums | Return to Pooh Corner (1994), Keep the Fire (1979), High Adventure (1982), Nightwatch (1978), Back to Avalon (1988), Celebrate Me Home (1977), Vox Humana (1985), Leap of Faith (1991), More Songs From Pooh Corner (2000), December (1998). |
| Key Tracks | Danger Zone (1986), Footloose (1984), Foot Loose (1984), Playing with the Boys (1986), I'm Alright (1980), This Is It (1979), i'm free, Heart To Heart (1982), Whenever I Call You "Friend" (1978), Meet Me Half Way (1987). |
| Grammy Record | 2 won and 12 nominated. |
| Billboard Hot 100 | 1 Number One Hits 5 Top-10 Hits |
| UK Singles Chart | 1 Top-10 Hit |
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